Cloud-native live production

Live Production,
Reimagined.

The broadcast truck, replaced with software.

Strategic anchor
Technology partners
Norsk Workflow engine
Integrated Digital Solutions Engineering
Storj Storage + archive
bunny.net Edge delivery
Strategic Anchor

Cinema-grade capture meets
cloud-native production.

RED + symphonē

Not a camera relationship. An ecosystem partnership. RED Digital Cinema — the company that has defined high-resolution digital cinema since 2007 — is the capture layer that anchors the entire stack.

Read the full partnership
Who we are

The broadcast truck becomes a
software-defined ecosystem.

symphonē is not building another production tool. It is assembling the modern live-production stack into one repeatable, sellable platform. Every layer — capture, ingest, switching, replay, graphics, audio, automation, storage, delivery — has a defined partner role. symphonē is the customer-facing layer that orchestrates them.

symphonē is the production operating system for the cloud era.

The Problem — and Why Now

Built on infrastructure
from a different era.

Live production is still expensive, hardware-heavy, crew-heavy, and hard to scale beyond top-tier productions. The economics work for the Super Bowl. They don't work for college conferences, regional leagues, megachurches, schools, or corporate town halls — and demand for every one of those is exploding.

$1M–$15M to own a broadcast truck
$10K–$250K+ per-event production cost
10–50+ crew members per show
Days of setup and coordination

Four forces are now real, at the same time:

Streaming + DTC Audiences expect every event live, clipped, distributed everywhere.
More live content Sports, events, creators, worship, schools — all at scale.
Cloud maturity Real-time routing, contribution, and delivery are production-ready.
AI automation Routine production tasks can be assisted; humans stay editorial.
What We Do

symphonē turns live production
into software.

Run switching, replay, graphics, collaboration, automation, and distribution in a cloud control room. No trucks. No fixed control rooms. Smaller crews. Broadcast-quality output. Remote operators and repeatable templates.

Live Switching

Multi-source program/preview, remote direction, cinema-grade routing.

Replay + Highlights

Frame-accurate clips, in-play markers, quick-turn packages.

Graphics + Branding

Scorebugs, lower thirds, sponsor placements, title packages.

AI Assistance

Shot awareness, auto-metadata, summaries, publishing support.

Remote Collaboration

Distributed operators, producers, announcers, stakeholders — same session.

Multi-channel Distribution

Live, OTT, social, mobile, archive, sponsor delivery — one workflow.

Value Proposition

Same quality.
Radically better economics.

Traditional RED + symphonē
Crew10–50 crew3 people
InfrastructureTrucks requiredNo trucks
DeploymentDaysHours
Cost$10K–$250K+50–80% lower
ScalabilityOne-off buildsRepeatable templates

Ready to see cloud-native production in action?

Walk through the platform with the founder. 20 minutes. No pitch deck.

Who It's For

High-frequency,
repeatable production.

Beachhead customers with clear cost pain and frequent production cycles — event formats that need professional output but cannot justify traditional broadcast economics.

Sports

Underserved leagues, youth, school and niche sports.

Corporate Events

Town halls, launches, investor days, conferences.

Schools

Athletics, performing arts, graduation, campus media.

Production Companies

White-label cloud control room for client work.

Houses of Worship

Weekly services and special recurring events.

Creators / YouTube

Live shows, channels, remote productions.

Get in touch →